Alone in the planet with your ideas? Discover Symbolic Composer that resonates. It is the practical tool to get a deadline finished on Sibelius, Finale, Logic and Digital Performer - with a twist of the masters themselves.



We are impressed with the quality of your product! Symbolic Composer has also been tested in the Softpedia labs using several industry-leading security solutions and found to be completely clean of adware/spyware components."
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"This mail just for say to you my first impression of the new SCOM 6.4.8: Simply awesome!! I love the new interface and the new possibilities, I love the new workflow upgrades and I love in general the look and feel."

"Congratulation for the new release of SCOM with Sibelius and Finale Support!"

"I love SCOM because it is so pure. I don't want alternatives!"


"It's really the most wonderful tool I have ever seen for music composition."

"SCOM steps beyond notation and playing skills, like no other software can do."

"It's all I need for music composition besides Logic and softsynths."


Press Release: Launching Symbolic Composer 6.2 For the Mac
2010, JUN 3 --- We are proud to introduce you the latest version of Symbolic Composer. Symbolic Composer 6.2 is one of the most advanced and largest music composition language available. Included is full SCOM Reference Manual with detailed examples and tutorials. Symbolic Composer 6.2 also implements powerful tonality functions, advanced section handling, re-engineered menus and new Solar Noise functions.

Take a look on the new Menus on System Index, which allow now easier and more powerful organization of the scores. Add up new tonality functions, sections and Cosmix Toolbox additions, which boost SCOM Processing Power in "the computronium level".



New tonality functions include full set of functions that enable to add, delete, mix, modulate, generate, enrich and analyze tonality progressions. These allow the contemporary composers to take full advantage of the Reneissance of Tonalities.

Advanced Tonality Handling Added

"The Reneissance of Tonality is coming", says composer Nigel Morgan (UK). "The parameter of tonality that SCOM allows for this, for me, is the single most innovative part of the system. I cannot thing of another algorithmic music system, that allows for this layer of musical working."

Tonality Symbols allow also an efficient way to handle score tonality progressions. Chords and scales can also be visualized on the keyboard and on a notation sheet, and played as a preview. The algorithms allow to analyze tonality progressions, and find the same or different notes - or the most dissonant ones - for the mostly pleasing effects.



Apply Fractals, Chaos, Physics and Math as well - or Magnetic Portals as below - and algorithms and tonalities over 500 years of the past to step ahead into the future - from advanced club mixes to leading-edge contemporary styles and electro-acoustic experimentations - in any style and compexity.



In Symbolic Composer MIDI data comes directly from the compilation of a program and not from interaction with multitrack-style recording and the limitations of your keyboard performance. This program can be made from midifile analysis, graphic and gestural visual processing, as well as interaction of function variables and expressions, all immediately available from the menus. Compilation to midifile is virtually instantaneous, and a score can be playing on your sequencer or scorewriting in seconds.

- Tonality is an extended concept in the system. Most scales, modes and chords are predefined, including many non-western forms. New tonalities can be described by interval series, notes or algorithms.
- Beat/Space, descriptive of a mode of rhythmic organisation found in many non-western musics, but also in drum-computer programming, is a dynamic feature and a powerful visual metaphor for rhythm.
- Timesheets extend this beat/space thinking to outlines of complete scores and include tonality descriptions and change points. You can create a large-scale score plan controlling any number of instruments, processors or mixer configurations.
- Sequencing can be both linear and pattern-based, but can be infinitely more powerful and flexible. Loop control and processing is integral.
- Lengths and Zones, that is note durations and section durations, can be generated from maths and fractal functions. This way even a tiny rhythmic cell or 'hook' can spawn cogent and relevant rhythmic material, and whole musical structures.
- Dynamics, either from MIDI velocity or continuous controller values, can originate from fractal sources and be mapped across the entire duration of an instrumental part. These natural dynamic contours can be wonderfully expressive particularly when converted to manipulate reverb depth, envelope shaping or modulation.
- Neural processing from the powerful Neural Expert can be used to add intelligent accents and other dynamic details.
- Articulation, the position of a note's onset in relation to a beat plus the note's actual rather than virtual duration plus its attack dynamic, can be processed by fractal or mathematical intervention creating virtual instruments with user-definable characteristics.

PRESS RELEASE SUMMARY

2010, JUN 3 --- Tonality System today launch Symbolic Composer 6.2 for the Macintosh. The update adds up important new functions and user-interface improvements suggested to all users.
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Product Information URL

http://www.symboliccomposer.com

Product Download URL

http://www.symboliccomposer.com/download/SCOM628Installer.dmg

Download File Size

98.7 MB

Executable File Name (Updated)

SCOM 6.2.8

Buy URL

http://store.kagi.com/cgi-bin/store.cgi?storeID=QD7&&

System Requirements

Macintosh, 2-16 GB memory, 200-300 MB hard disk space is required.

Trial Limitations

SCOM runs first on Demo Mode, which cancels most functions. The user is free to browse the interface and full documentation of the system. Authorization restores full functionality.

Full SCOM 6.2 Press Release

http://www.symboliccomposer.com/press/page_mac620.shtml

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