Alone in the planet with your ideas? Discover Symbolic Composer that resonates. It is the practical tool to get a deadline finished on Sibelius, Finale, Logic and Digital Performer - with a twist of the masters themselves.



We are impressed with the quality of your product! Symbolic Composer has also been tested in the Softpedia labs using several industry-leading security solutions and found to be completely clean of adware/spyware components."
100% Award, Download SCOM 6.4 at Softpedia



"This mail just for say to you my first impression of the new SCOM 6.4.8: Simply awesome!! I love the new interface and the new possibilities, I love the new workflow upgrades and I love in general the look and feel."

"Congratulation for the new release of SCOM with Sibelius and Finale Support!"

"I love SCOM because it is so pure. I don't want alternatives!"


"It's really the most wonderful tool I have ever seen for music composition."

"SCOM steps beyond notation and playing skills, like no other software can do."

"It's all I need for music composition besides Logic and softsynths."


Symbolic Composer 6.3 For The Macintosh
Symbolic Composer 6.3 provides solid and mature system for the experimental composing providing advanced musical and mathematical functions that operate on melodies, tonalities, rhythms and even compositional structures.

And now it has syntax coloring and interface themes, too.



SCOM's intecface is very simple and minimal. In the middle bottom you'll notice the QuickTime Player. This plays back the score on draft-quality sounds (like a piano, which all the great composers used to compose their fully-orchestrated pieces with).




The score happens in the code windows at the left. On the right side you see browser windows that let you quickly browse through the functions. In the middle you see the document windows - use these to copy and paste score-snippets to your score.



Then press the compile buttons and the score plays in a second. And you can let SCOM launch the MIDI file into your sequencer (or softsynth) for further assemblage and sound-tweaking.



More commands are found on the System, Tonality and Library menus, providing full algorithmic control on any MIDI parameters.

Syntax Coloring

Symbolic Composer 6.3 lets you adjust the appearence of interface items to suit your preferences, mood or studio lightning conditions. There is also Syntax Coloring to help you - this allows easily to recognize SCOM commands from your data - or you can switched it off for pure Lisp-Machine appearance, too.

The Mrac, Cadar and Cresc menus has been programmed by contemporary composers, and provide structurized access to extended SCOM algorithms, which cover contemporary, general and historical music styles.



System Menu provides access to orchestral and arrangement defintions. You will also find mathematical, symbolic and conversion functions here. Documentation includes short code snippets that you can copy and paste to your score.

And you can visualize score data and algorithms with a press of a button.

Tonalities-Handling

Lady Gaga is maybe happy with one tonality, but Symbolic Composer 6.3 gives you access to not just those commercial tonalities but provides all the historical, comtemporary and algorithmic tonalities as well.

The functions enable to add, delete, mix, modulate, distort, generate, enrich, interpolate and analyze tonality progressions.

And much, much more is available on the SCOM 6.3!


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